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Melissa's Thoughts on Contortion
(and being a contortionist)

by   Melissa Miller                       

            Many people see contortion as something unusual, weird, or even "freakish". It's an activity that isn't seen every day, so therefore, is out of the norm. It's quite the contrary for me. Contortion has become my way of life. Something I think about almost constantly. It's part of me that has made my life more enjoyable and fulfilling.

            There's more to contortion than merely bending into unusual positions. Being flexible or double-jointed is, of course, the foundation of contortion, but is, by no means the only skill needed. It's an art form that requires strength, grace, balance, and of course dedication.

            For me, my flexibility also acts as an escape. The freedom I feel when stretching is unsurpassed. No matter what the world throws at me, all is pushed aside once I start stretching. You could say that, in a way, contortion is my "happy place"…. a place where stress, worries, and problems can't reach me, and I’m truly blissful within myself.

            Contortion, to me, also means not only flexibility of the body, but of the mind as well. Since I began contorting, I have learned much more than simply stretching. I have been enlightened in the areas of art, history, culture, and even my own body. My practice has served as one of my greatest learning tools. I know that as my flexibility increases, my knowledge also will. Yet another reason I love contortion.

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            A lot of people ask me why I contort. To them I reply, “There are four answers to that question”. I have four reasons for doing what I do. The first is Leslie, my mother, an amazingly smart and beautiful woman. She was a dancer for several years, as well as a gymnastics coach and dance teacher. When I came into her life, she introduced me to stretching in her own fun loving way. As an infant, I was of course naturally flexible like all babies, so Leslie would incorporate my flexibility into little games. By using this natural suppleness, she allowed my muscles and tendons to remain "stretchy", and gave me the foundation of flexibility I would need later in life to practice contortion. If it weren't for her, I wouldn't know the freedom I do now.

           I was surfing the internet at an insanely late hour, half asleep, when I stumbled across a picture on the Contortion Homepage. I have yet to figure out how it happened, but I’m glad it did. It was the first photo of an actual contortionist that I’d ever seen. The second I saw that woman sitting on her head, with a smile that could brighten the darkest depths of the ocean, I knew contortion was my calling. I knew there was something wonderful about this beautiful art form, and I was going to find out first hand.

            My third reason is, I would think, very obvious. I LOVE contortion! Since I began increasing my flexibility, not a moment goes by that I’m not thinking of a new way to bend. Or how I could incorporate contortion into whatever activity I may be doing at the moment. I hope that I have been able to, and will continue showing this unique art form to those who, like me, had not had the opportunity to witness this talent. I only wish that I could allow people to feel what it's like to be limitless and truly happy.

            My last, but certainly not least, reason is someone very important to me, my cousin Floyd. We grew up together and had a special bond. At a young age he was diagnosed with three forms of muscular dystrophy. We now live in different states, but he is still close to my heart. So from the time I decided to work on my flexibility, I also made a decision to dedicate anything I did involving contortion, to him. He has an amazingly strong spirit, but since he's unable to move around as easily as most, I’m taking it upon myself to move and bend enough for both of us.

            I would like to take a minute to thank Jerry Lewis. You have helped so many children, my cousin being one, and I want to say thank you. God bless.

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            Now the question remains... how far do I want to contort? It's difficult to say how far you want to go with something, when you don't even feel like you have any limits. I know what has already been accomplished, so I know what I’m working up to, but I want to do something that hasn't been done before.

            When it comes to new contortion moves, it's difficult to imagine anything that hasn't been done. I have an idea though. To the best of my knowledge, it has not been performed as of yet, a forward triple-fold. A position in which the legs are behind the back, then the backs bends almost in half forwards, so the chin rests a little past the tailbone.

            I try to imagine what it will be like to do that, but it seems way too incredible. At the same time though, I remember back when imagining doing a backbend and seeing my feet seemed impossible.

            So I guess the moral to my own story would be, even if it seems too incredible to happen; if you want it bad enough, you really can accomplish what you thought to be impossible.


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